Zilele astea mă aflu într-o continuă căutare de rochii/fuste/pantaloni simpatici pentru nunțile la care o să merg vara asta. Și, cum mă cam bate toată căutarea asta și mi-e super greu să găsesc ceva care să-mi placă, apelez o dată la două zile la Instagram și Pinterest, unde inspirația e la ea acasă.
În opririle mele am regăsit câteva rochii absolut minunate, purtate de actrițe superbe în filme deosebite. Sunt plină de adjective azi, știu.
Una dintre rochii este cea a Juliei Roberts din Pretty Woman (1990), o rochie roșie frumoasă tare, pe care Vivian, personajul Juliei Roberts, o poartă în scena în care merge la Operă cu Richard Gere. Rochia a fost creată de designer-ul Marilyn Vance-Straker și echipa ei, care s-au ocupat de majoritatea costumelor protagonistei din Pretty Woman.
O frumusețe de rochie. Nu pot decât să-mi continui căutările în acest moment.
Mai multe detalii despre costumele din Pretty Woman, aici.
Some of the strongest words I have ever read are Betty Davis’ opinions about Hollywood and women’s condition, in general. With a sparkle of cockiness, her words perfectly describe they way she managed to turn herself into one of those faces you didn’t want to miss.
I have recently watched Feud, an anthology series created by Ryan Murphy, based on the neverending differences between Bette Davis and Joan Crawford, with Jessica Lange as Joan Crawford and Susan Sarandon in the role of Betty Davis. I loved the re-creation of their relationship, focusing on the filming of What Ever Happened to Baby Jane. And that’s when I remembered how much I looove Bete Davis and how much I loved her fashion style and acting.
In 2008, readers of In Style magazine voted Keira Knightley’s green dress from the movie Atonement (2007) as the Best Costume of All Time.
The dress was designed by Jacqueline Durran, after “the rich emerald green colour was specially requested by Atonement’s director Joe Wright”, for it expressed temptation, one of the main subjects of the movie. Also, one of the meanings of emerald green lies in “importality”, so that dress was there to last.
What’s more, “Keira Knightley’s character, Cecilia Tallis, is seen wearing only variations of green (apart from her regulation nurse’s uniform) following the incarceration of her love Robbie (James McAvoy). Subscribing absolute denotation to the colour is impossible, so by very definition it becomes mysterious.”
And since there are only a few iconic green dresses in the history of cinema (see also Vivien Leigh’s green ensemble in Gone with the Wind), the beautiful emerald green dress from Atonement will go as a masterpiece in movie costumes history.
The leather jacket goes way back in the history of fashion, music and film.
After World War II, the world witnessed a rise of a new rebellious attitude and style, especially on the American ground. It was the era of fast cars and rock’n roll.
Many of the most beautiful clothes in the history of cinema were worn by Audrey Hepburn in her timeless movies. One of them is Sabrina (1954), which marks the first collaboration between Audrey and Hubert de Givenchy.
Some sources say that Audrey was sent to Cristóbal Balenciaga in Paris, so that she could find a fabulous wardrobe for the movie. As “he was too busy preparing his latest collection, he sent Audrey to his friend, Hubert de Givenchy, who had worked for Balenciaga. As it turned out that Givenchy couldn’t design something especially for her either, as he was in the middle of a collection himself, Audrey asked him to show her his previous collection. It was exactly what she needed and she ended up buying a capsule wardrobe, formed of three outfits, which amounted to the sum of $850, from the French couturier for her post-Paris make-over.”
One of the outfits was the beautiful “bustier gown in white organdy, decorated with a navy floral embroidery pattern of silk thread and jet beads“.
Grace Kelly’s style gave us some of the most iconic outfits in the history of film.
Every piece of clothing she wore in her films was a statement of style and elegance, always illustrating the time’s fashion. Some of her most iconic appearances were in Alfred Hitchcock’s Rear Window (1954). She wore 5 outfits and worked closely with her good friend (and probably the most famous movie costumer), Edith Head.
The `blue jeans, white shirt` line goes way back to the birth of the American teenager in movies. In 1955 Nicholas Ray was directing the movie that would become an eternal reference for teen dramas and rebellion – Rebel Without a Cause, starring James Dean, Natalie Wood and Sal Mineo.
In Cat on a Hot Tin Roof (1958) Elizabeth Taylor wore a beautiful white dress created by Helen Rose. The dress is a statement of the 50s fashion and it has become one of the most appreciated dresses from the Golden Age of Hollywood.
One of the most beautiful gowns I have seen in movies was worn by Grace Kelly in To Catch a Thief (1954). This wonderful blue dress, designed by Edith Head, became an iconic image in Hitchcock’s movies.